WINMX Assorted Textfiles/Ebooks.tar/Text - Compilations - The Library - Volume 08 - L to Q - 254 fiction ebooks (PDF HTM(L) RTF TXT DOC).zip.zip/Lang, Andrew - Ban And Arriere Ban.txt

Text File | 2001-10-08 | 74KB | 2,486 lines

The Project Gutenberg Etext Ban and Arriere Ban, by Andrew Lang
#15 in our series by Andrew Lang


Copyright laws are changing all over the world, be sure to check
the copyright laws for your country before posting these files!!

Please take a look at the important information in this header.
We encourage you to keep this file on your own disk, keeping an
electronic path open for the next readers.  Do not remove this.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**Etexts Readable By Both Humans and By Computers, Since 1971**

*These Etexts Prepared By Hundreds of Volunteers and Donations*

Information on contacting Project Gutenberg to get Etexts, and
further information is included below.  We need your donations.


Ban and Arriere Ban

by Andrew Lang

August, 1999  [Etext #1855]


The Project Gutenberg Etext Ban and Arriere Ban, by Andrew Lang
*****This file should be named bnabn10.txt or bnabn10.zip******

Corrected EDITIONS of our etexts get a new NUMBER, bnabn11.txt
VERSIONS based on separate sources get new LETTER, bnabn10a.txt


This etext was prepared by David Price, email [e-mail]
from the 1894 Longmans, Green and Co. edition.

Project Gutenberg Etexts are usually created from multiple editions,
all of which are in the Public Domain in the United States, unless a
copyright notice is included.  Therefore, we do usually do NOT! keep
these books in compliance with any particular paper edition.


We are now trying to release all our books one month in advance
of the official release dates, leaving time for better editing.

Please note:  neither this list nor its contents are final till
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg Etexts is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.  To be sure you have an
up to date first edition [xxxxx10x.xxx] please check file sizes
in the first week of the next month.  Since our ftp program has
a bug in it that scrambles the date [tried to fix and failed] a
look at the file size will have to do, but we will try to see a
new copy has at least one byte more or less.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any etext selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.  This
projected audience is one hundred million readers.  If our value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour this year as we release thirty-six text
files per month, or 432 more Etexts in 1999 for a total of 2000+
If these reach just 10% of the computerized population, then the
total should reach over 200 billion Etexts given away this year.

The Goal of Project Gutenberg is to Give Away One Trillion Etext
Files by December 31, 2001.  [10,000 x 100,000,000 = 1 Trillion]
This is ten thousand titles each to one hundred million readers,
which is only ~5% of the present number of computer users.

At our revised rates of production, we will reach only one-third
of that goal by the end of 2001, or about 3,333 Etexts unless we
manage to get some real funding; currently our funding is mostly
from Michael Hart's salary at Carnegie-Mellon University, and an
assortment of sporadic gifts; this salary is only good for a few
more years, so we are looking for something to replace it, as we
don't want Project Gutenberg to be so dependent on one person.

We need your donations more than ever!


All donations should be made to "Project Gutenberg/CMU": and are
tax deductible to the extent allowable by law.  (CMU = Carnegie-
Mellon University).

For these and other matters, please mail to:

Project Gutenberg
P. O. Box  2782
Champaign, IL 61825

When all other email fails. . .try our Executive Director:
Michael S. Hart <[e-mail]>
[e-mail] forwards to [e-mail] and archive.org
if your mail bounces from archive.org, I will still see it, if
it bounces from prairienet.org, better resend later on. . . .

We would prefer to send you this information by email.

******

To access Project Gutenberg etexts, use any Web browser
to view http://promo.net/pg.  This site lists Etexts by
author and by title, and includes information about how
to get involved with Project Gutenberg.  You could also
download our past Newsletters, or subscribe here.  This
is one of our major sites, please email [e-mail],
for a more complete list of our various sites.

To go directly to the etext collections, use FTP or any
Web browser to visit a Project Gutenberg mirror (mirror
sites are available on 7 continents; mirrors are listed
at http://promo.net/pg).

Mac users, do NOT point and click, typing works better.

Example FTP session:

ftp sunsite.unc.edu
login: anonymous
password: your@login
cd pub/docs/books/gutenberg
cd etext90 through etext99
dir [to see files]
get or mget [to get files. . .set bin for zip files]
GET GUTINDEX.??  [to get a year's listing of books, e.g., GUTINDEX.99]
GET GUTINDEX.ALL [to get a listing of ALL books]

***

**Information prepared by the Project Gutenberg legal advisor**

(Three Pages)


***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
Why is this "Small Print!" statement here?  You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this etext, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault.  So, among other things, this "Small Print!" statement
disclaims most of our liability to you.  It also tells you how
you can distribute copies of this etext if you want to.

*BEFORE!* YOU USE OR READ THIS ETEXT
By using or reading any part of this PROJECT GUTENBERG-tm
etext, you indicate that you understand, agree to and accept
this "Small Print!" statement.  If you do not, you can receive
a refund of the money (if any) you paid for this etext by
sending a request within 30 days of receiving it to the person
you got it from.  If you received this etext on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM ETEXTS
This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
tm etexts, is a "public domain" work distributed by Professor
Michael S. Hart through the Project Gutenberg Association at
Carnegie-Mellon University (the "Project").  Among other
things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties.  Special rules, set forth
below, apply if you wish to copy and distribute this etext
under the Project's "PROJECT GUTENBERG" trademark.

To create these etexts, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works.  Despite these efforts, the Project's etexts and any
medium they may be on may contain "Defects".  Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other etext medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] the Project (and any other party you may receive this
etext from as a PROJECT GUTENBERG-tm etext) disclaims all
liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this etext within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from.  If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy.  If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS".  NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold the Project, its directors,
officers, members and agents harmless from all liability, cost
and expense, including legal fees, that arise directly or
indirectly from any of the following that you do or cause:
[1] distribution of this etext, [2] alteration, modification,
or addition to the etext, or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     etext or this "small print!" statement.  You may however,
     if you wish, distribute this etext in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word pro-
     cessing or hypertext software, but only so long as
     *EITHER*:

     [*]  The etext, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The etext may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the etext (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          etext in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the etext refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Project of 20% of the
     net profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Association/Carnegie-Mellon
     University" within the 60 days following each
     date you prepare (or were legally required to prepare)
     your annual (or equivalent periodic) tax return.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time,
scanning machines, OCR software, public domain etexts, royalty
free copyright licenses, and every other sort of contribution
you can think of.  Money should be paid to "Project Gutenberg
Association / Carnegie-Mellon University".

*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*





This etext was prepared by David Price, email [e-mail]
from the 1894 Longmans, Green and Co. edition.





Ban and Arriere Ban--A Rally of Fugitive Rhymes




Contents

Dedication
A Scot to Jeanne d'Arc
How they held the Bass for King James
Three portraits of Prince Charles
From Omar Khayyam
Aesop
Les Roses de Sadi
The Haunted Tower
Boat-song
Lost Love
The Promise of Helen
The Restoration of Romance
Central American Antiquities in South Kensington Museum
On Calais Sands
Ballade of Yule
Poscimur
On his Dead Sea-Mew
From Meleager
On the Garland Sent to Rhodocleia
A Galloway Garland
Celia's Eyes
Britannia
Gallia
The Fairy Minister
To Robert Louis Stevenson
For Mark Twain's Jubilee
Poems Written under the Influence of Wordsworth
   Mist
   Lines
   Lines
   Ode to Golf
   Freshman's Term
   A toast
   Death in June
   To Correspondents
   Ballade of Difficult Rhymes
   Ballant o'Ballantrae
   Song by the Sub-Conscious Self
   The Haunted Homes of England
   The Disappointment
   To the Gentle Reader
   The Sonnet
   The Tournay of the Heroes
   Ballad of the Philanthropist
Neiges d'Antan
   In Ercildoune
   For a Rose's Sake
   The Brigand's Grave
   The New-Liveried Year
   More Strong than Death
   Silentia Lunae
   His Lady's Tomb
   The Poet's Apology
Notes



DEDICATION:  TO ELEANOR CHARLOTTE SELLAR



'Ban and Arriere Ban!' a host
Broken, beaten, all unled,
They return as doth a ghost
From the dead.

Sad or glad my rallied rhymes,
Sought our dusty papers through,
For the sake of other times
Come to you.

Times and places new we know,
Faces fresh and seasons strange
But the friends of long ago
Do not change.



ERRATUM:  Reader, a blot hath escaped the watchfulness of the
setter forth:  if thou wilt thou mayst amend it.  The sonnet on the
forty-fourth page, against all right Italianate laws, hath but
thirteen lines withal:  add another to thy liking, if thou art a
Maker; or, if thou art none, even be content with what is set
before thee.  If it be scant measure, be sure it is choicely good.



A SCOT TO JEANNE D'ARC



Dark Lily without blame,
Not upon us the shame,
Whose sires were to the Auld Alliance true,
They, by the Maiden's side,
Victorious fought and died,
One stood by thee that fiery torment through,
Till the White Dove from thy pure lips had passed,
And thou wert with thine own St. Catherine at the last.

Once only didst thou see
In artist's imagery,
Thine own face painted, and that precious thing
Was in an Archer's hand
From the leal Northern land.
Alas, what price would not thy people bring
To win that portrait of the ruinous
Gulf of devouring years that hide the Maid from us!

Born of a lowly line,
Noteless as once was thine,
One of that name I would were kin to me,
Who, in the Scottish Guard
Won this for his reward,
To fight for France, and memory of thee:
Not upon us, dark Lily without blame,
Not on the North may fall the shadow of that shame.

On France and England both
The shame of broken troth,
Of coward hate and treason black must be;
If England slew thee, France
Sent not one word, one lance,
One coin to rescue or to ransom thee.
And still thy Church unto the Maid denies
The halo and the palms, the Beatific prize.

But yet thy people calls
Within the rescued walls
Of Orleans; and makes its prayer to thee;
What though the Church have chidden
These orisons forbidden,
Yet art thou with this earth's immortal Three,
With him in Athens that of hemlock died,
And with thy Master dear whom the world crucified.



HOW THEY HELD THE BASS FOR KING JAMES--1691-1693



[Time of Narrating--1743]

Ye hae heard Whigs crack o' the Saints in the Bass, my faith, a
gruesome tale;
How the Remnant paid at a tippeny rate, for a quart o' ha'penny
ale!
But I'll tell ye anither tale o' the Bass, that'll hearten ye up to
hear,
Sae I pledge ye to Middleton first in a glass, and a health to the
Young Chevalier!

The Bass stands frae North Berwick Law a league or less to sea,
About its feet the breakers beat, abune the sea-maws flee,
There's castle stark and dungeon dark, wherein the godly lay,
That made their rant for the Covenant through mony a weary day.
For twal' years lang the caverns rang wi' preaching, prayer, and
psalm,
Ye'd think the winds were soughing wild, when a' the winds were
calm,
There wad they preach, each Saint to each, and glower as the
soldiers pass,
And Peden wared his malison on a bonny leaguer lass,
As she stood and daffed, while the warders laughed, and wha sae
blithe as she,
But a wind o' ill worked his warlock will, and flang her out to
sea.
Then wha sae bright as the Saints that night, and an angel came,
say they,
And sang in the cell where the Righteous dwell, but he took na a
Saint away.
There yet might they be, for nane could flee, and nane daur'd break
the jail,
And still the sobbing o' the sea might mix wi' their warlock wail,
But then came in black echty-echt, and bluidy echty-nine,
Wi' Cess, and Press, and Presbytery, and a' the dule sin' syne,
The Saints won free wi' the power o' the key, and cavaliers maun
pine!
It was Halyburton, Middleton, and Roy and young Dunbar,
That Livingstone took on Cromdale haughs, in the last fight of the
war:
And they were warded in the Bass, till the time they should be
slain,
Where bluidy Mitchell, and Blackader, and Earlston lang had lain;
Four lads alone, 'gainst a garrison, but Glory crowns their names,
For they brought it to pass that they took the Bass, and they held
it for King James!

It isna by preaching half the night, ye'll burst a dungeon door,
It wasna by dint o' psalmody they broke the hold, they four,
For lang years three that rock in the sea bade Wullie Wanbeard gae
swing,
And England and Scotland fause may be, but the Bass Rock stands for
the King!

There's but ae pass gangs up the Bass, it's guarded wi' strong
gates four,
And still as the soldiers went to the sea, they steikit them, door
by door,
And this did they do when they helped a crew that brought their
coals on shore.
Thither all had gone, save three men alone:  then Middleton gripped
his man,
Halyburton felled the sergeant lad, Dunbar seized the gunner, Swan;
Roy bound their hands, in hempen bands, and the Cavaliers were
free.
And they trained the guns on the soldier loons that were down wi'
the boat by the sea!
Then Middleton cried frae the high cliff-side, and his voice garr'd
the auld rocks ring,
'Will ye stand or flee by the land or sea, for I hold the Bass for
the King?'

They had nae desire to face the fire; it was mair than men might
do,
So they e'en sailed back in the auld coal-smack, a sorry and shame-
faced crew,
And they hirpled doun to Edinburgh toun, wi' the story of their
shames,
How the prisoners bold had broken hold, and kept the Bass for King
James.

King James he has sent them guns and men, and the Whigs they guard
the Bass,
But they never could catch the Cavaliers, who took toll of ships
that pass,
They fared wild and free as the birds o' the sea, and at night they
went on the wing,
And they lifted the kye o' Whigs far and nigh, and they revelled
and drank to the King.

Then Wullie Wanbeard sends his ships to siege the Bass in form,
And first shall they break the fortress down, and syne the Rock
they'll storm.
After twa days' fight they fled in the night, and glad eneuch to
go,
With their rigging rent, and their powder spent, and many a man
laid low.

So for lang years three did they sweep the sea, but a closer watch
was set,
Till nae food had they, but twa ounce a day o' meal was the maist
they'd get.
And men fight but tame on an empty wame, so they sent a flag o'
truce,
And blithe were the Privy Council then, when the Whigs had heard
that news.
Twa Lords they sent wi' a strang intent to be dour on each
Cavalier,
But wi' French cakes fine, and his last drap o' wine, did Middleton
make them cheer,
On the muzzles o' guns he put coats and caps, and he set them aboot
the wa's,
And the Whigs thocht then he had food and men to stand for the
Rightfu' Cause.
So he got a' he craved, and his men were saved, and nane might say
them nay,
Wi' sword by side, and flag o' pride, free men might they gang
their way,
They might fare to France, they might bide at hame, and the better
their grace to buy,
Wullie Wanbeard's purse maun pay the keep o' the men that did him
defy!

Men never hae gotten sic terms o' peace since first men went to
war,
As got Halyburton, and Middleton, and Roy, and the young Dunbar.
Sae I drink to ye here, To the Young Chevalier!  I hae said ye an
auld man's say,
And there may hae been mightier deeds of arms, but there never was
nane sae gay!



THREE PORTRAITS OF PRINCE CHARLES



1731

Beautiful face of a child,
Lighted with laughter and glee,
Mirthful, and tender, and wild,
My heart is heavy for thee!

1744

Beautiful face of a youth,
As an eagle poised to fly forth,
To the old land loyal of truth,
To the hills and the sounds of the North:
Fair face, daring and proud,
Lo! the shadow of doom, even now,
The fate of thy line, like a cloud,
Rests on the grace of thy brow!

1773

Cruel and angry face,
Hateful and heavy with wine,
Where are the gladness, the grace,
The beauty, the mirth that were thine?

Ah, my Prince, it were well,--
Hadst thou to the gods been dear, -
To have fallen where Keppoch fell,
With the war-pipe loud in thine ear!
To have died with never a stain
On the fair White Rose of Renown,
To have fallen, fighting in vain,
For thy father, thy faith, and thy crown!
More than thy marble pile,
With its women weeping for thee,
Were to dream in thine ancient isle,
To the endless dirge of the sea!
But the Fates deemed otherwise,
Far thou sleepest from home,
From the tears of the Northern skies,
In the secular dust of Rome.

* * *

A city of death and the dead,
But thither a pilgrim came,
Wearing on weary head
The crowns of years and fame:
Little the Lucrine lake
Or Tivoli said to him,
Scarce did the memories wake
Of the far-off years and dim.
For he stood by Avernus' shore,
But he dreamed of a Northern glen
And he murmured, over and o'er,
'For Charlie and his men:'
And his feet, to death that went,
Crept forth to St. Peter's shrine,
And the latest Minstrel bent
O'er the last of the Stuart line.



FROM OMAR KHAYYAM



[Rhymed from the prose version of Mr. Justin Huntly M'Carthy]

The Paradise they bid us fast to win
Hath Wine and Women; is it then a sin
To live as we shall live in Paradise,
And make a Heaven of Earth, ere Heaven begin?

The wise may search the world from end to end,
From dusty nook to dusty nook, my friend,
And nothing better find than girls and wine,
Of all the things they neither make nor mend.

Nay, listen thou who, walking on Life's way,
Hast seen no lovelock of thy love's grow grey
Listen, and love thy life, and let the Wheel
Of Heaven go spinning its own wilful way.

Man is a flagon, and his soul the wine,
Man is a lamp, wherein the Soul doth shine,
Man is a shaken reed, wherein that wind,
The Soul, doth ever rustle and repine.

Each morn I say, to-night I will repent,
Repent! and each night go the way I went -
The way of Wine; but now that reigns the rose,
Lord of Repentance, rage not, but relent.

I wish to drink of wine--so deep, so deep -
The scent of wine my sepulchre shall steep,
And they, the revellers by Omar's tomb,
Shall breathe it, and in Wine shall fall asleep.

Before the rent walls of a ruined town
Lay the King's skull, whereby a bird flew down
'And where,' he sang, 'is all thy clash of arms?
Where the sonorous trumps of thy renown?'



AESOP



He sat among the woods, he heard
The sylvan merriment:  he saw
The pranks of butterfly and bird,
The humours of the ape, the daw.

And in the lion or the frog -
In all the life of moor and fen,
In ass and peacock, stork and dog,
He read similitudes of men.

'Of these, from those,' he cried, 'we come,
Our hearts, our brains descend from these.'
And lo! the Beasts no more were dumb,
But answered out of brakes and trees:

'Not ours,' they cried; 'Degenerate,
If ours at all,' they cried again,
'Ye fools, who war with God and Fate,
Who strive and toil:  strange race of men.

'For WE are neither bond nor free,
For WE have neither slaves nor kings,
But near to Nature's heart are we,
And conscious of her secret things.

'Content are we to fall asleep,
And well content to wake no more,
We do not laugh, we do not weep,
Nor look behind us and before;

'But were there cause for moan or mirth,
'Tis WE, not you, should sigh or scorn,
Oh, latest children of the Earth,
Most childish children Earth has borne.'

* * *

They spoke, but that misshapen slave
Told never of the thing he heard,
And unto men their portraits gave,
In likenesses of beast and bird!



LES ROSES DE SADI



This morning I vowed I would bring thee my Roses,
They were thrust in the band that my bodice encloses,
But the breast-knots were broken, the Roses went free.
The breast-knots were broken; the Roses together
Floated forth on the wings of the wind and the weather,
And they drifted afar down the streams of the sea.

And the sea was as red as when sunset uncloses,
But my raiment is sweet from the scent of the Roses,
Thou shalt know, Love, how fragrant a memory can be.



THE HAUNTED TOWER



[Suggested by a poem of Theophile Gautier]

In front he saw the donjon tall
Deep in the woods, and stayed to scan
The guards that slept along the wall,
Or dozed upon the bartizan.
He marked the drowsy flag that hung
Unwaved by wind, unfrayed by shower,
He listened to the birds that sung
Go forth and win the haunted tower!
The tangled brake made way for him,
The twisted brambles bent aside;
And lo, he pierced the forest dim,
And lo, he won the fairy bride!
For HE was young, but ah! we find,
All we, whose beards are flecked with grey,
Our fairy castle's far behind,
We watch it from the darkling way:
'Twas ours, that palace, in our youth,
We revelled there in happy cheer:
Who scarce dare visit now in sooth,
Le Vieux Chateau de Souvenir!
For not the boughs of forest green
Begird that castle far away,
There is a mist where we have been
That weeps about it, cold and grey.
And if we seek to travel back
'Tis through a thicket dim and sere,
With many a grave beside the track,
And many a haunting form of fear.
Dead leaves are wet among the moss,
With weed and thistle overgrown -
A ruined barge within the fosse,
A castle built of crumbling stone!
The drawbridge drops from rusty chains,
There comes no challenge from the hold;
No squire, nor dame, nor knight remains,
Of all who dwelt with us of old.
And there is silence in the hall
No sound of songs, no ray of fire;
But gloom where all was glad, and all
Is darkened with a vain desire.
And every picture's fading fast,
Of fair Jehanne, or Cydalise.
Lo, the white shadows hurrying past,
Below the boughs of dripping trees!

* * *

Ah rise, and march, and look not back,
Now the long way has brought us here;
We may not turn and seek the track
To the old Chateau de Souvenir!



BOAT-SONG



Adrift, with starlit skies above,
With starlit seas below,
We move with all the suns that move,
With all the seas that flow:
For, bond or free, earth, sky, and sea,
Wheel with one central will,
And thy heart drifteth on to me,
And only Time stands still.

Between two shores of death we drift,
Behind are things forgot,
Before, the tide is racing swift
To shores man knoweth not.
Above, the sky is far and cold,
Below, the moaning sea
Sweeps o'er the loves that were of old,
But thou, Love, love thou me.

Ah, lonely are the ocean ways,
And dangerous the deep,
And frail the fairy barque that strays
Above the seas asleep.
Ah, toil no more with helm or oar,
We drift, or bond or free,
On yon far shore the breakers roar,
But thou, Love, love thou me!



LOST LOVE



Who wins his Love shall lose her,
Who loses her shall gain,
For still the spirit woos her,
A soul without a stain;
And Memory still pursues her
With longings not in vain!

He loses her who gains her,
Who watches day by day
The dust of time that stains her,
The griefs that leave her grey,
The flesh that yet enchains her
Whose grace hath passed away!

Oh, happier he who gains not
The Love some seem to gain:
The joy that custom stains not
Shall still with him remain,
The loveliness that wanes not,
The Love that ne'er can wane.

In dreams she grows not older
The lands of Dream among,
Though all the world wax colder,
Though all the songs be sung,
In dreams doth he behold her
Still fair and kind and young.



THE PROMISE OF HELEN



Whom hast thou longed for most,
True love of mine?
Whom hast thou loved and lost?
Lo, she is thine!

She that another wed
Breaks from her vow;
She that hath long been dead
Wakes for thee now.

Dreams haunt the hapless bed,
Ghosts haunt the night,
Life crowns her living head,
Love and Delight.

Nay, not a dream nor ghost,
Nay, but Divine,
She that was loved and lost
Waits to be thine!



THE RESTORATION OF ROMANCE.
TO H. R. H., R. L. S., A. C. D., AND S. W.



King Romance was wounded deep,
All his knights were dead and gone,
All his court was fallen on sleep,
In a vale of Avalon!
Nay, men said, he will not come,
Any night or any morn.
Nay, his puissant voice is dumb,
Silent his enchanted horn!

King Romance was forfeited,
Banished from his Royal home,
With a price upon his head,
Driven with sylvan folk to roam.
King Romance is fallen, banned,
Cried his foemen overbold,
Broken is the wizard wand,
All the stories have been told!

Then you came from South and North,
From Tugela, from the Tweed,
Blazoned his achievements forth,
King Romance is come indeed!
All his foes are overthrown,
All their wares cast out in scorn,
King Romance hath won his own,
And the lands where he was born!

Marsac at adventure rides,
Felon men meet felon scathe,
Micah Clarke is taking sides
For King Monmouth and the Faith;
For a Cause or for a lass
Men are willing to be slain,
And the dungeons of the Bass
Hold a prisoner again.

King Romance with wand of gold
Sways the realms he ruled of yore.
Hills Dalgetty roamed of old,
Valleys of enchanted Kor:
Waves his sceptre o'er the isles,
Claims the pirates' treasuries,
Through innumerable miles
Of the siren-haunted seas!

Elfin folk of coast and cave,
Laud him in the woven dance,
All the tribes of wold and wave
Bow the knee to King Romance!
Wand'ring voices Chaucer knew
On the mountain and the main,
Cry the haunted forest through,
KING ROMANCE HAS COME AGAIN!



CENTRAL AMERICAN ANTIQUITIES IN SOUTH KENSINGTON MUSEUM



'Youth and crabbed age
Cannot live together;'
So they say.

On this little page
See you when and whether
That they may.

Age was very old -
Stones from Chichimec
Hardly wrung;

Youth had hair of gold
Knotted on her neck -
Fair and young!

Age was carved with odd
Slaves, and priests that slew them -
God and Beast;

Man and Beast and God -
There she sat and drew them,
King and Priest!

There she sat and drew
Many a monstrous head
And antique;

Horrors from Peru,
HUACAS doubly dead,
Dead cacique!

Ere Pizarro came
These were lords of men
Long ago;

Gods without a name,
Born or how or when,
None may know!

Now from Yucatan
These doth Science bear
Over seas;

And methinks a man
Finds youth doubly fair,
Sketching these!



ON CALAIS SANDS



On Calais Sands the grey began,
Then rosy red above the grey,
The morn with many a scarlet van
Leap'd, and the world was glad with May!
The little waves along the bay
Broke white upon the shelving strands;
The sea-mews flitted white as they
On Calais Sands!

On Calais Sands must man with man
Wash honour clean in blood to-day;
On spaces wet from waters wan
How white the flashing rapiers play,
Parry, riposte! and lunge!  The fray
Shifts for a while, then mournful stands
The Victor:  life ebbs fast away
On Calais Sands!

On Calais Sands a little space
Of silence, then the plash and spray,
The sound of eager waves that ran
To kiss the perfumed locks astray,
To touch these lips that ne'er said 'Nay,'
To dally with the helpless hands;
Till the deep sea in silence lay
On Calais Sands!

Between the lilac and the may
She waits her love from alien lands;
Her love is colder than the clay
On Calais Sands!



BALLADE OF YULE



This life's most jolly, Amiens said,
Heigh-ho, the Holly!  So sang he.
As the good Duke was comforted
In forest exile, so may we!
The years may darken as they flee,
And Christmas bring his melancholy:
But round the old mahogany tree
We drink, we sing Heigh-ho, the Holly!

Though some are dead and some are fled
To lands of summer over sea,
The holly berry keeps his red,
The merry children keep their glee;
They hoard with artless secresy
This gift for Maude, and that for Molly,
And Santa Claus he turns the key
On Christmas Eve, Heigh-ho, the Holly!

Amid the snow the birds are fed,
The snow lies deep on lawn and lea,
The skies are shining overhead,
The robin's tame that was so free.
Far North, at home, the 'barley bree'
They brew; they give the hour to folly,
How 'Rab and Allan cam to pree,'
They sing, we sing Heigh-ho, the Holly!

ENVOI

Friend, let us pay the wonted fee,
The yearly tithe of mirth:  be jolly!
It is a duty so to be,
Though half we sigh, Heigh-ho, the Holly!



POSCIMUR--FROM HORACE



Hush, for they call!  If in the shade,
My lute, we twain have idly strayed,
And song for many a season made,
Once more reply;
Once more we'll play as we have played,
My lute and I!

Roman the song:  the strain you know,
The Lesbian wrought it long ago.
Now singing as he charged the foe,
Now in the bay,
Where safe in the shore-water's flow
His galleys lay.

So sang he Bacchus and the Nine,
And Venus and her boy divine,
And Lycus of the dusky eyne,
The dusky hair;
So shalt thou sing, ah, Lute of mine,
Of all things fair;

Apollo's glory!  Sounding shell,
Thou lute, to Jove desirable,
When soft thine accents sigh and swell
At festival -
Delight more dear than words can tell,
Attend my call!



ON HIS DEAD SEA-MEW
FROM THE GREEK



I

Bird of the graces, dear sea-mew, whose note
Was like the halcyon's song,
In death thy wings and thy sweet spirit float
Still paths of the night along!

II

THE SAILOR'S GRAVE

Tomb of a shipwrecked seafarer am I,
But thou, sail on!
For homeward safe did other vessels fly,
Though we were gone.



FROM MELEAGER



I love not the wine-cup, but if thou art fain
I should drink, do thou taste it, and bring it to me;
If it touch but thy lips it were hard to refrain,
It were hard from the sweet maid who bears it to flee;
For the cup ferries over the kisses, and plain
Does it speak of the grace that was given it by thee.



ON THE GARLAND SENT TO RHODOCLEIA--RUFINUS



GOLDEN EYES

'Ah, Golden Eyes, to win you yet,
I bring mine April coronet,
The lovely blossoms of the spring,
For you I weave, to you I bring
These roses with the lilies set,
The dewy dark-eyed violet,
Narcissus, and the wind-flower wet:
Wilt thou disdain mine offering?
Ah, Golden Eyes!

Crowned with thy lover's flowers, forget
The pride wherein thy heart is set,
For thou, like these or anything,
Has but a moment of thy spring,
Thy spring, and then--the long regret!
Ah, Golden Eyes!'



A GALLOWAY GARLAND



We know not, on these hills of ours,
The fabled asphodel of Greece,
That filleth with immortal flowers
Fields where the heroes are at peace!
Not ours are myrtle buds like these
That breathe o'er isles where memories dwell
Of Sappho, in enchanted seas!

We meet not, on our upland moor,
The singing Maid of Helicon,
You may not hear her music pure
Float on the mountain meres withdrawn;
The Muse of Greece, the Muse is gone!
But we have songs that please us well
And flowers we love to look upon.

More sweet than Southern myrtles far
The bruised Marsh-myrtle breatheth keen;
Parnassus names the flower, the star,
That shines among the well-heads green
The bright Marsh-asphodels between -
Marsh-myrtle and Marsh-asphodel
May crown the Northern Muse a queen



CELIA'S EYES--PASTICHE



Tell me not that babies dwell
In the deeps of Celia's eyes;
Cupid in each hazel well
Scans his beauties with surprise,
And would, like Narcissus, drown
In my Celia's eyes of brown.

Tell me not that any goes
Safe by that enchanted place;
Eros dwells with Anteros
In the garden of her Face,
Where like friends who late were foes
Meet the white and crimson Rose.



BRITANNIA--FROM JULES LEMAITRE



Thy mouth is fresh as cherries on the bough,
Red cherries in the dawning, and more white
Than milk or white camellias is thy brow;
And as the golden corn thy hair is bright,
The corn that drinks the Sun's less fair than thou;
While through thine eyes the child-soul gazeth now -
Eyes like the flower that was Rousseau's delight.

Sister of sad Ophelia, say, shall these
Thy pearly teeth grow like piano keys
Yellow and long; while thou, all skin and bone,
Angles and morals, in a sky-blue veil,
Shalt hosts of children to the sermon hale,
Blare hymns, read chapters, backbite, and intone?



GALLIA



Lady, lady neat
Of the roguish eye,
Wherefore dost thou hie,
Stealthy, down the street,
On well-booted feet?
From French novels I
Gather that you fly,
Guy or Jules to meet.

Furtive dost thou range,
Oft thy cab dost change;
So, at least, 'tis said:
Oh, the sad old tale
Passionately stale,
We've so often read!



THE FAIRY MINISTER



[The Rev. Mr. Kirk of Aberfoyle was carried away by the Fairies in
1692.]

People of Peace! a peaceful man,
Well worthy of your love was he,
Who, while the roaring Garry ran
Red with the life-blood of Dundee,
While coats were turning, crowns were falling,
Wandered along his valley still,
And heard your mystic voices calling
From fairy knowe and haunted hill.
He heard, he saw, he knew too well
The secrets of your fairy clan;
You stole him from the haunted dell,
Who never more was seen of man.
Now far from heaven, and safe from hell,
Unknown of earth, he wanders free.
Would that he might return and tell
Of his mysterious Company!
For we have tired the Folk of Peace;
No more they tax our corn and oil;
Their dances on the moorland cease,
The Brownie stints his wonted toil.
No more shall any shepherd meet
The ladies of the fairy clan,
Nor are their deathly kisses sweet
On lips of any earthly man.
And half I envy him who now,
Clothed in her Court's enchanted green,
By moonlit loch or mountain's brow
Is Chaplain to the Fairy Queen.



TO ROBERT LOUIS STEVENSON
WITH KIRK'S 'SECRET COMMONWEALTH'



O Louis! you that like them maist,
Ye're far frae kelpie, wraith, and ghaist,
And fairy dames, no unco chaste,
And haunted cell.
Among a heathen clan ye're placed,
That kensna hell!

Ye hae nae heather, peat, nor birks,
Nae trout in a' yer burnies lurks,
There are nae bonny U.P. kirks,
An awfu' place!
Nane kens the Covenant o' Works
Frae that o' Grace!

But whiles, maybe, to them ye'll read
Blads o' the Covenanting creed,
And whiles their pagan wames ye'll feed
On halesome parritch;
And syne ye'll gar them learn a screed
O' the Shorter Carritch.

Yet thae uncovenanted shavers
Hae rowth, ye say, o' clash and clavers
O' gods and etins--auld wives' havers,
But their delight;
The voice o' him that tells them quavers
Just wi' fair fright.

And ye might tell, ayont the faem,
Thae Hieland clashes o' our hame
To speak the truth, I takna shame
To half believe them;
And, stamped wi' Tusitala's name,
They'll a' receive them.

And folk to come ayont the sea
May hear the yowl o' the Banshie,
And frae the water-kelpie flee,
Ere a' things cease,
And island bairns may stolen be
By the Folk o' Peace.



FOR MARK TWAIN'S JUBILEE



To brave Mark Twain, across the sea,
The years have brought his jubilee;
One hears it half with pain,
That fifty years have passed and gone
Since danced the merry star that shone
Above the babe, Mark Twain!

How many and many a weary day,
When sad enough were we, 'Mark's way'
(Unlike the Laureate's Mark's)
Has made us laugh until we cried,
And, sinking back exhausted, sighed,
Like Gargery, Wot larx!

We turn his pages, and we see
The Mississippi flowing free;
We turn again, and grin
O'er all Tom Sawyer did and planned,
With him of the Ensanguined Hand,
With Huckleberry Finn!

Spirit of mirth, whose chime of bells
Shakes on his cap, and sweetly swells
Across the Atlantic main,
Grant that Mark's laughter never die,
That men, through many a century,
May chuckle o'er Mark Twain!



MIST



Mist, though I love thee not, who puttest down
Trout in the Lochs, (they feed not, as a rule,
At least on fly, in mere or river-pool
When fogs have fallen, and the air is lown,
And on each Ben, a pillow not a crown,
The fat folds rest,) thou, Mist, hast power to cool
The blatant declamations of the fool
Who raves reciting through the heather brown.

Much do I bar the matron, man, or lass
Who cries 'How lovely!' and who does not spare
When light and shadow on the mountain pass,--
Shadow and light, and gleams exceeding fair,
O'er rock, and glade, and glen,--to shout, the Ass,
To me, to me the Poet, 'Oh, look there!'



LINES



[Written under the influence of Wordsworth, with a slate-pencil on
a window of the dining-room at the Lowood Hotel, Windermere, while
waiting for tea, after being present at the Grasmere Sports on a
very wet day, and in consequence of a recent perusal of Belinda, a
Novel, by Miss Broughton, whose absence is regretted.]

How solemn is the front of this Hotel,
When now the hills are swathed in modest mist,
And none can speak of scenery, nor tell
Of 'tints of amber,' or of 'amethyst.'
Here once thy daughters, young Romance, did dwell,
Here Sara flirted with whoever list,
Belinda loved not wisely but too well,
And Mr. Ford played the Philologist!
Haunted the house is, and the balcony
Where that fond Matron knew her Lover near,
And here we sit, and wait for tea, and sigh,
While the sad rain sobs in the sullen mere,
And all our hearts go forth into the cry,
Would that the teller of the tale were here!



LINES



[Written on the window pane of a railway carriage after reading an
advertisement of sunlight soap, and Poems, by William Wordsworth.]

I passed upon the wings of Steam
Along Tay's valley fair,
The book I read had such a theme
As bids the Soul despair.

A tale of miserable men
Of hearts with doubt distraught,
Wherein a melancholy pen
With helpless problems fought.

Where many a life was brought to dust,
And many a heart laid low,
And many a love was smirched with lust -
I raised mine eyes, and, oh! -

I marked upon a common wall,
These simple words of hope,
That mute appeal to one and all,
Cheer up!  Use Sunlight Soap!

Our moral energies have range
Beyond their seeming scope,
How tonic were the words, how strange,
Cheer up!  Use Sunlight Soap!

'Behold,' I cried, 'the inner touch
That lifts the Soul through cares!
I loved that Soap-boiler so much
I blessed him unawares!

Perchance he is some vulgar man,
Engrossed in pounds s. d.
But, ah! through Nature's holy plan
He whispered hope to me!



ODE TO GOLF



'Delusive Nymph, farewell!'
How oft we've said or sung,
When balls evasive fell,
Or in the jaws of 'Hell,'
Or salt sea-weeds among,
'Mid shingle and sea-shell!

How oft beside the Burn,
We play the sad 'two more';
How often at the turn,
The heather must we spurn;
How oft we've 'topped and swore,'
In bent and whin and fern!

Yes, when the broken head
Bounds further than the ball,
The heart has inly bled.
Ah! and the lips have said
Words we would fain recall -
Wild words, of passion bred!

In bunkers all unknown,
Far beyond 'Walkinshaw,
Where never ball had flown -
Reached by ourselves alone -
Caddies have heard with awe
The music of our moan!

Yet, Nymph, if once alone,
The ball hath featly fled -
Not smitten from the bone -
That drive doth still atone;
And one long shot laid dead
Our grief to the winds hath blown!

So, still beside the tee,
We meet in storm or calm,
Lady, and worship thee;
While the loud lark sings free,
Piping his matin psalm
Above the grey sad sea!



FRESHMAN'S TERM



Return again, thou Freshman's year,
When bloom was on the rye,
When breakfast came with bottled beer,
When Pleasure walked the High;
When Torpid Bumps were more by far
To every opening mind
Than Trade, or Shares, or Peace, or War,
To senior humankind;
When ribbons of outrageous hues
Were worn with honest pride,
When much was talked of boats and crews,
When Proctors were defied:
When Tick was in its early bloom,
When Schools were far away,
As vaguely distant as the tomb,
Nor more regarded--they!
When arm was freely linked with arm
Beneath the College limes,
When Sunday grinds possessed a charm
Denied to College Rhymes:
When ices were in much request
Beside the April fire,
When men were very strangely dressed
By Standen or by Prior.
Return, ye Freshman's Terms!  They DO
Return, and much the same,
To boys, who, just like me and you,
Play the absurd old game!



A TOAST



[Kate Kennedy is the Patron Saint of St. Leonard's and St.
Salvator.  Her history is quite unknown.]

The learned are all 'in a swither,'
(They don't very often agree,)
They know not her 'whence' nor her 'whither,'
The Maiden we drink to together,
The College's Kate Kennedie!

Did she shine in days early or later?
Did she ever achieve a degree?
Was she pretty or plain?  Did she mate, or
Live lonely?  And who was the pater
Of mystical Kate Kennedie?

The learned may scorn her and scout her,
But true to her colours are WE,
The learned may mock her and flout her,
But surely we'll rally about her,
In the College that stands by the Sea!

So here's to her memory! here to
The mystical Maiden drink we,
We pledge her, and we'll persevere too,
Though the reason is not very clear to
The critical mind, nor to ME.
Here's to Kate! she's our own, and she's dear to
The College that stands by the Sea.



DEATH IN JUNE--FOR CRICKETERS ONLY



[June is the month of Suicides]

Why do we slay ourselves in June,
When life, if ever, seems so sweet?
When "Moon," and "tune," and "afternoon,"
And other happy rhymes we meet,
When strawberries are coming soon?
Why do we do it?' you repeat!

Ah, careless butterfly, to thee
The strawberry seems passing good;
And sweet, on Music's wings, to flee
Amid the waltzing multitude,
And revel late--perchance till three -
For Love is monarch of thy mood!

Alas! to US no solace shows
For sorrows we endure--at Lord's,
When Oxford's bowling ALWAYS goes
For 'fours,' for ever to the cords -
Or more, perhaps, with 'overthrows'; -
These things can pierce the heart like swords!

And thus it is though woods are green,
Though mayflies down the Test are rolling,
Though sweet, the silver showers between,
The finches sing in strains consoling,
We cut our throats for very spleen,
And very shame of Oxford's bowling!



TO CORRESPONDENTS



My Postman, though I fear thy tread,
And tremble as thy foot draws nearer,
'Tis not the Christmas Dun I dread,
MY mortal foe is much severer, -
The Unknown Correspondent, who,
With undefatigable pen,
And nothing in the world to do,
Perplexes literary men.

From Pentecost and Ponder's End
They write:  from Deal, and from Dacotah,
The people of the Shetlands send
No inconsiderable quota;
They write for AUTOGRAPHS; in vain,
In vain does Phyllis write, and Flora,
They write that Allan Quatermain
Is not at all the book for Brora.

They write to say that 'they have met
This writer 'at a garden party,
And though' this writer 'MAY forget,'
THEIR recollection's keen and hearty.
'And will you praise in your reviews
A novel by our distant cousin?'
These letters from Provincial Blues
Assail us daily by the dozen!

O friends with time upon your hands,
O friends with postage-stamps in plenty,
O poets out of many lands,
O youths and maidens under twenty,
Seek out some other wretch to bore,
Or wreak yourselves upon your neighbours,
And leave me to my dusty lore
And my unprofitable labours!



BALLADE OF DIFFICULT RHYMES



With certain rhymes 'tis hard to deal;
For 'silver' we have ne'er a rhyme.
On 'orange' (as on orange peel)
The bard has slipped full many a time.
With 'babe' there's scarce a sound will chime,
Though 'astrolabe' fits like a glove;
But, ye that on Parnassus climb,
Why, why are rhymes so rare to LOVE?

A rhyme to 'cusp,' to beg or steal,
I've sought, from evensong to prime,
But vain is my poetic zeal,
There's not one sound is worth a 'dime':
'Bilge,' 'coif,' 'scarf,' 'window'--deeds of crime
I'd do to gain the rhymes thereof;
Nor shrink from acts of moral grime -
Why, why are rhymes so rare to LOVE?

To 'dove' my fancies flit, and wheel
Like butterflies on banks of thyme.
'Above'?--or 'shove'--alas! I feel,
They're too much used to be sublime.
I scorn with angry pantomime,
The thought of 'move' (pronounced as muv).
Ah, in Apollo's golden clime
Why, why are rhymes so rare to LOVE?

ENVOI

Prince of the lute and lyre, reveal
New rhymes, fresh minted, from above,
Nor still be deaf to our appeal.
Why, WHY are rhymes so rare to LOVE?



BALLANT O' BALLANTRAE--TO ROBERT LOUIS STEVENSON



[Written in wet weather, this conveyed to the Master of Ballantrae
a wrong idea of a very beautiful and charming place, with links, a
river celebrated by Burns, good sea-fishing, and, on the river, a
ruined castle at every turn of the stream.  'Try Ballantrae' is a
word of wisdom.]

Whan suthern wunds gar spindrift flee
Abune the clachan, faddums hie,
Whan for the cluds I canna see
The bonny lift,
I'd fain indite an Ode to THEE
Had I the gift!

Ken ye the coast o' wastland Ayr?
Oh mon, it's unco bleak and bare!
Ye daunder here, ye daunder there,
And mak' your moan,
They've rain and wund eneuch to tear
The suthern cone!

Ye're seekin' sport!  There's nane ava',
Ye'll sit and glower ahint the wa'
At bleesin' breakers till ye staw,
If that's yer wush;
'There's aye the Stinchar.'  Hoot awa',
She wunna fush!

She wunna fush at ony gait,
She's roarin' reid in wrathfu' spate;
Maist like yer kimmer when ye're late
Frae Girvan Fair!
Forbye to speer for leave I'm blate
For fushin' there!

O Louis, you that writes in Scots,
Ye're far awa' frae stirks and stots,
Wi' drookit hurdies, tails in knots,
An unco way!
MY mirth's like thorns aneth the pots
In Ballantrae!



SONG BY THE SUB-CONSCIOUS SELF--RHYMES MADE IN A DREAM



I know not what my secret is,
I know but it is mine;
I know to dwell with it were bliss,
To die for it divine.
I cannot yield it in a kiss,
Nor breathe it in a sigh.
I know that I have lived for this;
For this, my love, I die.



THE HAUNTED HOMES OF ENGLAND



The Haunted Homes of England,
How eerily they stand,
While through them flit their ghosts--to wit,
The Monk with the Red Hand,
The Eyeless Girl--an awful spook -
To stop the boldest breath,
The boy that inked his copybook,
And so got 'wopped' to death!

Call them not shams--from haunted Glamis
To haunted Woodhouselea,
I mark in hosts the grisly ghosts
I hear the fell Banshie!
I know the spectral dog that howls
Before the death of Squires;
In my 'Ghosts'-guide' addresses hide
For Podmore and for Myers!

I see the Vampire climb the stairs
From vaults below the church;
And hark! the Pirate's spectre swears!
O Psychical Research,
Canst THOU not hear what meets my ear,
The viewless wheels that come?
The wild Banshie that wails to thee?
The Drummer with his drum?

O Haunted Homes of England,
Though tenantless ye stand,
With none content to pay the rent,
Through all the shadowy land,
Now, Science true will find in you
A sympathetic perch,
And take you all, both Grange and Hall,
For Psychical Research!



THE DISAPPOINTMENT



A house I took, and many a spook
Was deemed to haunt that House,
I bade the glum Researchers come
With Bogles to carouse.
That House I'd sought with anxious thought,
'Twas old, 'twas dark as sin,
And deeds of bale, so ran the tale,
Had oft been done therein.

Full many a child its mother wild,
Men said, had strangled there,
Full many a sire, in heedless ire,
Had slain his daughter fair!
'Twas rarely let:  I can't forget
A recent tenant's dread,
This widow lone had heard a moan
Proceeding from her bed.

The tenants next were chiefly vexed
By spectres grim and grey.
A Headless Ghost annoyed them most,
And so they did not stay.
The next in turn saw corpse lights burn,
And also a Banshie,
A spectral Hand they could not stand,
And left the House to me.

Then came my friends for divers ends,
Some curious, some afraid;
No direr pest disturbed their rest
Than a neat chambermaid.
The grisly halls were gay with balls,
One melancholy nook
Where ghosts GALORE were seen before
Now yielded ne'er a spook.

When man and maid, all unafraid,
'Sat out' upon the stairs,
No spectre dread, with feet of lead,
Came past them unawares.
I know not why, but alway I
Have found that it is so,
That when the glum Researchers come
The brutes of bogeys--go!



TO THE GENTLE READER



'A French writer (whom I love well) speaks of three kinds of
companions,--men, women, and books.'--Sir John Davys.

Three kinds of companions, men, women, and books,
Were enough, said the elderly Sage, for his ends.
And the women we deem that he chose for their looks,
And the men for their cellars:  the books were his friends:
'Man delights me not,' often, 'nor woman,' but books
Are the best of good comrades in loneliest nooks.

For man will be wrangling--for woman will fret
About anything infinitesimal small:
Like the Sage in our Plato, I'm 'anxious to get
On the side'--on the sunnier side--'of a wall.'
Let the wind of the world toss the nations like rooks,
If only you'll leave me at peace with my Books.

And which are my books? why, 'tis much as you please,
For, given 'tis a book, it can hardly be wrong,
And Bradshaw himself I can study with ease,
Though for choice I might call for a Sermon or Song;
And Locker on London, and Sala on Cooks,
'Tom Brown,' and Plotinus, they're all of them Books.

There's Fielding to lap one in currents of mirth;
There's Herrick to sing of a flower or a fay;
Or good Maitre Francoys to bring one to earth,
If Shelley or Coleridge have snatched one away:
There's Muller on Speech, there is Gurney on Spooks,
There is Tylor on Totems, there's all sorts of Books.

There's roaming in regions where every one's been,
Encounters where no one was ever before,
There's 'Leaves' from the Highlands we owe to the Queen,
There's Holly's and Leo's adventures in Kor:
There's Tanner who dwelt with Pawnees and Chinooks,
You can cover a great deal of country in Books.

There are books, highly thought of, that nobody reads,
There is Geusius' dearly delectable tome
Of the Cannibal--he on his neighbour who feeds -
And in blood-red morocco 'tis bound, by Derome;
There's Montaigne here (a Foppens), there's Roberts (on Flukes),
There's Elzevirs, Aldines, and Gryphius' Books.

There's Bunyan, there's Walton, in early editions,
There's many a quarto uncommonly rare;
There's quaint old Quevedo adream with his visions,
There's Johnson the portly, and Burton the spare;
There's Boston of Ettrick, who preached of the 'Crooks
In the Lots' of us mortals, who bargain for Books.

There's Ruskin to keep one exclaiming 'What next?'
There's Browning to puzzle, and Gilbert to chaff,
And Marcus Aurelius to soothe one if vexed,
And good MARCUS TVAINUS to lend you a laugh;
There be capital tomes that are filled with fly-hooks,
And I've frequently found them the best kind of Books.



THE SONNET



Poet, beware!  The sonnet's primrose path
Is all too tempting for thy feet to tread.
Not on this journey shalt thou earn thy bread,
Because the sated reader roars in wrath:
'Little indeed to say the singer hath,
And little sense in all that he hath said;
Such rhymes are lightly writ but hardly read,
And naught but stubble is his aftermath!'

Then shall he cast that bonny book of thine
Where the extreme waste-paper basket gapes,
There shall thy futile fancies peak and pine,
With other minor poets, pallid shapes,
Who come a long way short of the divine,
Tormented souls of imitative apes.



THE TOURNAY OF THE HEROES



Ho, warders, cry a tournay! ho, heralds, call the knights!
What gallant lance for old Romance 'gainst modern fiction fights?
The lists are set, the Knights are met, I ween, a dread array,
St. Chad to shield, a stricken field shall we behold to-day!
First to the Northern barriers pricks Roland of Roncesvaux,
And by his side, in knightly pride, Wilfred of Ivanhoe,
The Templar rideth by his rein, two gallant foes were they;
And proud to see, le brave Bussy his colours doth display.

Ready at need he comes with speed, William of Deloraine,
And Hereward the Wake himself is pricking o'er the plain.
The good knight of La Mancha's here, here is Sir Amyas Leigh,
And Eric of the gold hair, pride of Northern chivalry.
There shines the steel of Alan Breck, the sword of Athos shines,
Dalgetty on Gustavus rides along the marshalled lines,
With many a knight of sunny France the Cid has marched from Spain,
And Gotz the Iron-handed leads the lances of Almain.

But who upon the Modern side are champions?  With the sleeve
Adorned of his false lady-love, rides glorious David Grieve,
A bookseller sometime was he, in a provincial town,
But now before his iron mace go horse and rider down.
Ho, Robert Elsmere! count thy beads; lo, champion of the fray,
With brandished colt, comes Felix Holt, all of the Modern day.
And Silas Lapham's six-shooter is cocked:  the Colonel's spry!
There spurs the wary Egoist, defiance in his eye;
There Zola's ragged regiment comes, with dynamite in hand,
And Flaubert's crew of country doctors devastate the land.
On Robert Elsmere Friar Tuck falls with his quarter-staff,
Nom De! to see the clerics fight might make the sourest laugh!
They meet, they shock, full many a knight is smitten on the crown,
So keep us good St. Genevieve, Umslopogaas is down!
About the mace of David Grieve his blood is flowing red,
Alas for ancient chivalry, le brave Bussy is sped!
Yet where the sombre Templar rides the Modern caitiffs fly,
The Mummer (of The Mummer's Wife) has got it in the eye,
From Felix Holt his patent Colt hath not averted fate,
And Silas Lapham's smitten fair, right through his gallant pate.
There Dan Deronda reels and falls, a hero sore surprised;
Ha, Beauseant! still may such fate befall the Circumcised!
The Egoist is flying fast from him of Ivanhoe:
Beneath the axe of Skalagrim fall prigs at every blow:
The ragged Zolaists have fled, screaming 'We are betrayed,'
But loyal Alan Breck is shent, stabbed through the Stuart plaid;
In sooth it is a grimly sight, so fast the heroes fall,
Three volumes fell could scarcely tell the fortunes of them all.
At length but two are left on ground, and David Grieve is one.
Ma foy, what deeds of derring-do that bookseller hath done!
The other, mark the giant frame, the great portentous fist!
'Tis Porthos!  David Grieve may call on Kuenen an he list.
The swords are crossed; Doublez, degagez, vite! great Porthos
calls,
And David drops, that secret botte hath pierced his overalls!
And goodly Porthos, as of old the famed Orthryades,
Raises the trophy of the fight, then falling on his knees,
He writes in gore upon his shield, 'Romance, Romance, has won!'
And blood-red on that stricken field goes down the angry sun.
Night falls upon the field of death, night on the darkling lea:
Oh send us such a tournay soon, and send me there to see!



BALLAD OF THE PHILANTHROPIST



Pomona Road and Gardens, N.,
Were pure as they were fair -
In other districts much I fear,
That vulgar language shocks the ear,
But brawling wives or noisy men
Were never heard of THERE.

No burglar fixed his dread abode
In that secure retreat,
There were no public-houses nigh,
But chapels low and churches high,
You might have thought Pomona Road
A quite ideal beat!

Yet that was not at all the view
Taken by B. 13.
That active and intelligent
Policeman deemed that he was meant
Profound detective deeds to do,
And that repose was mean.

Now there was nothing to detect
Pomona Road along -
None faked a cly, nor cracked a crib,
Nor prigged a wipe, nor told a fib,--
Minds cultivated and select
Slip rarely into wrong!

Thus bored to desolation went
The Peeler on his beat;
He know not Love, he did not care,
If Love be born on mountains bare;
Nay, crime to punish, or prevent,
Was more than dalliance sweet!

The weary wanderer, day by day,
Was marked by Howard Fry -
A neighbouring philanthropist,
Who saw what that Policeman missed -
A sympathetic 'Well-a-day'
He'd moan, and pipe his eye.

'What CAN I do,' asked Howard Fry,
'To soothe that brother's pain?
His glance when first we met was keen,
Most martial and erect his mien'
(What mien may mean, I know not I)
'But HE must joy again.'

'I'll start on a career of crime,
I will,' said Howard Fry -
He spake and acted!  Deeds of bale
(With which I do not stain my tale)
He wrought like mad time after time,
Yet wrought them blushfully.

And now when 'buses night by night
Were stopped, conductors slain,
When youths and men, and maids unwed,
Were stabbed or knocked upon the head,
Then B. 13 grew sternly bright,
And was himself again!

Pomona Road and Gardens, N.,
Are now a name of fear.
Commercial travellers flee in haste,
Revolvers girt about the waist
Are worn by city gentlemen
Who have their mansions near.

But B. 13 elated goes,
Detection in his eye;
While Howard Fry does deeds of bale
(With which I do not stain my tale)
To lighten that Policeman's woes,
But does them blushfully.

MORAL

Such is Philanthropy, my friends,
Too often such her plan,
She shoots, and stabs, and robs, and flings
Bombs, and all sorts of horrid things.
Ah, not to serve her private ends,
But for the good of Man!



IN ERCILDOUNE



In light of sunrise and sunsetting,
The long days lingered, in forgetting
That ever passion, keen to hold
What may not tarry, was of old
Beyond the doubtful stream whose flood
Runs red waist-high with slain men's blood.

Was beauty once a thing that died?
Was pleasure never satisfied?
Was rest still broken by the vain
Desire of action, bringing pain,
To die in vapid rest again?
All this was quite forgotten, there
No winter brought us cold and care,
Nor spring gave promise unfulfilled,
Nor, with the heavy summer killed,
The languid days droop autumnwards.
So magical a season guards
The constant prime of a green June.
So slumbrous is the river's tune,
That knows no thunder of rushing rains,
Nor ever in the summer wanes,
Like waters of the summer-time
In lands far from the fairy clime.

Alas! no words can bring the bloom
Of Fairyland, the lost perfume.
The sweet low light, the magic air,
To minds of who have not been there:
Alas! no words, nor any spell
Can lull the heart that knows too well
The towers that by the river stand,
The lost fair world of Fairyland.

Ah, would that I had never been
The lover of the Fairy Queen.
Or would that I again might be
Asleep below the Eildon Tree,
And see her ride the forest way
As on that morning of the May!

Or would that through the little town,
The grey old place of Ercildoune,
And all along the sleepy street
The soft fall of the white deer's feet
Came, with the mystical command,
That I must back to Fairy Land!



FOR A ROSE'S SAKE--FRENCH FOLK-SONG



I laved my hands
By the water-side,
With willow leaves
My hands I dried.

The nightingale sang
On the bough of a tree,
Sing, sweet nightingale,
It is well with thee.

Thou hast heart's delight,
I have sad heart's sorrow,
For a false false maid
That will wed to-morrow.

It is all for a rose
That I gave her not,
And I would that it grew
In the garden plot,

And I would the rose-tree
Were still to set,
That my love Marie
Might love me yet!



THE BRIGAND'S GRAVE--MODERN GREEK



The moon came up above the hill,
The sun went down the sea,
'Go, maids, and draw the well-water,
But, lad, come here to me.

Gird on my jack, and my old sword,
For I have never a son,
And you must be the chief of all
When I am dead and gone.

But you must take my old broadsword,
And cut the green boughs of the tree,
And strew the green boughs on the ground,
To make a soft death-bed for me.

And you must bring the holy priest,
That I may sained be,
For I have lived a roving life
Fifty years under the greenwood tree.

And you shall make a grave for me,
And dig it deep and wide,
That I may turn about and dream
With my old gun by my side.

And leave a window to the east
And the swallows will bring the spring,
And all the merry month of May
The nightingales will sing.'



THE NEW-LIVERIED YEAR--FROM CHARLES D'ORLEANS



The year has changed his mantle cold
Of wind, of rain, of bitter air,
And he goes clad in cloth of gold
Of laughing suns and season fair;
No bird or beast of wood or wold
But doth in cry or song declare
'The year has changed his mantle cold!'
All founts, all rivers seaward rolled
Their pleasant summer livery wear
With silver studs on broidered vair,
The world puts off its raiment old,
The year has changed his mantle cold.



MORE STRONG THAN DEATH--FROM VICTOR HUGO



Since I have set my lips to your full cup, my sweet,
Since I my pallid face between your hands have laid,
Since I have known your soul and all the bloom of it,
And all the perfume rare, now buried in the shade,

Since it was given to me to hear one happy while
The words wherein your heart spoke all its mysteries,
Since I have seen you weep, and since I have seen you smile,
Your lips upon my lips, and your eyes upon my eyes;

Since I have known above my forehead glance and gleam,
A ray, a single ray of your star veiled always,
Since I have felt the fall upon my lifetime's stream
Of one rose-petal plucked from the roses of your days;

I now am bold to say to the swift-changing hours,
Pass, pass upon your way, for I grow never old.
Fleet to the dark abyss with all your fading flowers,
One rose that none may pluck within my heart I hold.

Your flying wings may smite, but they can never spill
The cup fulfilled of love from which my lips are wet,
My heart has far more fire than you have frost to chill.
My soul more love than you can make my soul forget.



SILENTIA LUNAE--FROM RONSARD



Hide this one night thy crescent, kindly Moon,
So shall Endymion faithful prove, and rest
Loving and unawakened on thy breast;
So shall no foul enchanter importune
Thy quiet course, for now the night is boon,
And through the friendly night unseen I fare
Who dread the face of foemen unaware,
And watch of hostile spies in the bright noon.

Thou know'st, O Moon, the bitter power of Love.
'Tis told how shepherd Pan found ways to move
With a small gift thy heart; and of your grace,
Sweet stars, be kind to this not alien fire,
Because on earth ye did not scorn desire,
Bethink ye, now ye hold your heavenly place.



HIS LADY'S TOMB--FROM RONSARD



As in the gardens, all through May, the Rose,
Lovely, and young, and rich apparelled,
Makes sunrise jealous of her rosy red,
When dawn upon the dew of dawning glows;
Graces and Loves within her breast repose,
The woods are faint with the sweet odour shed,
Till rains and heavy suns have smitten dead
The languid flower and the loose leaves unclose, -

So this, the perfect beauty of our days,
When heaven and earth were vocal of her praise,
The fates have slain, and her sweet soul reposes:
And tears I bring, and sighs, and on her tomb
Pour milk, and scatter buds of many a bloom,
That, dead as living, Rose may be with roses.



THE POET'S APOLOGY



No, the Muse has gone away,
Does not haunt me much to-day.
Everything she had to say
Has been said!
'Twas not much at any time
She could hitch into a rhyme,
Never was the Muse sublime,
Who has fled!

Any one who takes her in
May observe she's rather thin;
Little more than bone and skin
Is the Muse;
Scanty sacrifice she won
When her very best she'd done,
And at her they poked their fun,
In Reviews.

'Rhymes,' in truth, 'are stubborn things.'
And to Rhyme she clung, and clings,
But whatever song she sings
Scarcely sells.
If her tone be grave, they say
'Give us something rather gay.'
If she's skittish, then they pray
'Something else!'

Much she loved, for wading shod,
To go forth with line and rod,
Loved the heather, and the sod,
Loved to rest
On the crystal river's brim
Where she saw the fishes swim,
And she heard the thrushes' hymn,
By the Test!

She, whatever way she went,
Friendly was and innocent,
Little need the Bard repent
Of her lay.
Of the babble and the rhyme,
And the imitative chime
That amused him on a time, -
Now he's grey.



NOTES



A SCOT TO JEANNE D'ARC


Jeanne d'Arc is said to have led a Scottish force at Lagny, when
she defeated the Burgundian, Franquet d'Arras.  A Scottish artist
painted her banner; he was a James Polwarth, or a Hume of Polwarth,
according to a conjecture of Mr. Hill Burton's.  A monk of
Dunfermline, who continued Fordun's Chronicle, avers that he was
with the Maiden in her campaigns, and at her martyrdom.  He calls
her Puella a spiritu sancto excitata.  Unluckily his manuscript
breaks off in the middle of a sentence.  At her trial, Jeanne said
that she had only once seen her own portrait:  it was in the hands
of a Scottish archer.  The story of the white dove which passed
from her lips as they opened to her last cry of Jesus! was reported
at the trial for her Rehabilitation (1450-56).

ONE OF THAT NAME.

Two archers of the name of Lang, Lain, or Laing were in the French
service about 1507.  See the book on the Scottish Guard, by Father
Forbes Leith, S. J.

THY CHURCH UNTO THE MAID DENIES.

These verses were written, curiously enough, the day before the
Maiden was raised to the rank of 'Venerable,' a step towards her
canonisation, which, we trust, will not be long delayed.  It is not
easy for any one to understand the whole miracle of the life and
death of Jeanne d'Arc, and the absolutely unparalleled grandeur and
charm of her character, without studying the full records of both
her trials, as collected and published by M. Quicherat, for the
Societe de l'Histoire de France.

HOW THEY HELD THE BASS.

This story is versified from the account in Memoirs of the Rev.
John Blackader, by Andrew Crichton, Minister of the Gospel.  Second
Edition.  Edinburgh, 1826.  Dunbar was retained as a prisoner, when
negotiations for surrender, in 1691, were broken off by Middleton's
return with supplies.  Halyburton was, it seems, captured later,
and only escaped hanging by virtue of the terms extorted by
Middleton.  Patrick Walker tells the tale of Peden and the girl.
Wodrow, in his Analecta, has the story of the Angel, or other
shining spiritual presence, which is removed from its context in
the ballad.  The sufferings from weak beer are quoted in Mr.
Blackader's Memoirs.  Mitchell was the undeniably brave Covenanter
who shot at Sharp, and hit the Bishop of the Orkneys.  He was
tortured, and, by an act of perjury (probably unconscious) on the
part of Lauderdale, was hanged.  The sentiments of the poem are
such as an old cavalier, surviving to 1743, might perhaps have
entertained.  'Wullie Wanbeard' is a Jacobite name for the Prince
of Orange, perhaps invented only by the post-Jacobite sentiment of
the early nineteenth century.


BRITANNIA


ROUSSEAU'S DELIGHT.

The pervenche, or periwinkle.


A TOAST


One of the college bells Of St. Salvator, mentioned by Ferguson, is
called 'Kate Kennedy'; the heroine is unknown, but Bishop Kennedy
founded the College.  'Kate Kennedy's Day' was a kind of carnival,
probably a survival from that festivity.


THE DISAPPOINTMENT.


As a matter of fact the Haunted House Committee of the Society for
Psychical Research have never succeeded in seeing a ghost.





End of The Project Gutenberg Etext Ban and Arriere Ban, by Andrew Lang